Structure shaped to the edit
The cue was designed against duration, cut rhythm, and the sequence’s major visual transitions.
- Locked-picture timing
- Cut and transition mapping
- Continuous cue architecture
- End-card resolution
Music · Scoring to picture
Ragnarok
An original cinematic action score composed, produced, mixed, and mastered to a 2:34 trailer sequence.
Loading score to picture
The brief
Challenge
Create a complete replacement score that holds together across rapid shifts in setting, scale, and cut density.
Solution
I wrote to the locked cut, using changes in density, momentum, and scale to connect its contrasting sections.
Picture map
Timing the cue to visible structure.
Five landmarks in the cut.
00:12First action image
00:30Arena reveal
01:08Scale change
01:56Action montage
02:30Final card
Production
Writing, production, and delivery.
Composition through final master
I handled the complete musical pipeline and delivered both the synchronized video and standalone score.
- Original composition
- Full production and arrangement
- Final mix and master
- Picture-synced and audio-only versions
Result
The finished score holds the sequence together as one piece, follows its major visual shifts, and lands cleanly on the final card.
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